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G.T. Lye

Doyen of Peranakan Theatre
Close-up of Baba G.T. Lye looking out of window.
Close-up of Baba G.T. Lye's hand.
G.T. Lye standing in front of Pranakan Furniture.
G.T. Lye standing inside Baba house.

G.T. Lye

Baba G.T. Lye is a doyen of Peranakan theatre. He has acted in and written Peranakan stage plays for the last four decades. He has been a wayang Peranakan practitioner since his first foray into theatre in 1984 in Felix Chia’s Pileh Menantu, staged during the Singapore Arts Festival. The play was a landmark in wayang Peranakan which sparked a revival of Peranakan theatre. Before that, no Peranakan play had been staged in Singapore since the 1960s.

In his next stage appearance in 1985, he performed in a female role under the stage name “G.T. Lye”. He played the Peranakan matriarch for the first time – a character that would shape and define his career in Peranakan theatre.

G.T. has not only starred in 23 wayang Peranakan plays but has also contributed to Peranakan theatre as a scriptwriter, co-director, dialogue coach and mentor to young actors. The bulk of his performances were in plays staged by the Gunong Sayang Association. There is no other living wayang Peranakan actor who has displayed mastery of the art form as he has.

In 2020, G.T. was recognised as a Steward of Singapore’s Intangible Cultural Heritage by the National Heritage Board.

Upcoming Work

Baba G.T. Lye has completed a wayang Peranakan podcast series that will debut in 2023/2024. He will star in the remake of Felix Chia’s Mari Kita Main Wayang at the Esplanade in November 2023. He will also reprise his role in Tak Sangkah Sangkah Cempedak Menjadi Nangka (Unexpected) to be staged in Melaka in late November 2023. He is also involved in a modern play with Peranakan elements to be staged in 2025.

Steward of Intangible Cultural Heritage Award

In 2020, Baba G.T. Lye was recognised by the National Heritage Board, Singapore as a Steward of Intangible Cultural Heritage. The Award recognises practitioners of intangible cultural heritage who are dedicated to the promotion and transmission of their practices, and have made outstanding contributions in their field.

Through his efforts, G.T. Lye’s deep cultural knowledge has been passed on to a new generation through his mentorship.

Ivan Heng, founder and artistic director of theatre company Wild Rice expressed appreciation for his commitment to nurturing future generations of artists and audiences through his interviews, workshops and rehearsals.

Similarly, Alvin Teo, president of the Gunong Sayang Association, credited G.T.’s in-depth knowledge of Peranakan culture and practices as integral to recreating wayang Peranakan.

John Teo, former General Manager of the Peranakan Museum and current Deputy Director of Research at the National Heritage Board, summed up his accomplishments. “Unlike Peranakans of (the post-independence) generation, who are now trying to rediscover aspects of our heritage, he has lived the culture. His mentorship and guidance have been invaluable assets to the museum and its curators. In our collective efforts to preserve Singapore’s intangible cultural heritage, G.T. is one of last remaining authorities, an irreplaceable expository agent of the customs, traditions and practices of a bygone era.”

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“Unlike Peranakans of (the post-independence) generation, who are now trying to rediscover aspects of our heritage, he has lived the culture. His mentorship and guidance have been invaluable assets to the museum and its curators. In our collective efforts to preserve Singapore’s intangible cultural heritage, GT is one of last remaining authorities, an irreplaceable expository agent of the customs, traditions and practices of a bygone era.”

WAYANG PERANAKAN

Starring Baba G.T. Lye

1984

Pileh Menantu (Choosing A Daughter-in-law) written by Felix Chia for the   Singapore Arts Festival

1985

Buang Keroh Pungot Jernih (Let Bygones Be Bygones) His first role as a Peranakan Matriarch

1986

Menyesal (Regrets)

1987

Zaman Sekarang (Times Have Changed)

1989

Biji Mata Mak (Apple Of His Mother Eyes)

Still photograph of wayang peranakan “Biji Mata Mak (Apple Of His Mother Eyes)" in 1989.

1990

Tak Sangkah (Unexpected)

Still photograph of wayang peranakan “Tak Sangkah (Unexpected)" in 1990.

1989

Sudah Di Janji (Fated)

1992

Nasib (Fate)

1995

Manis Manis Pait (Bitter Sweet Memories)

1996

Kalau Jodoh Tak Mana Lari (Destiny of Love)

1997

Bulan Pernama (An Auspicious Full Moon)

Still photograph of wayang peranakan “Bulan Pernama (An Auspicious Full Moon)" in 1997.

1999

Janji Perot (Pre-Birth Pact)

Still photograph of wayang peranakan “Janji Perot (Pre-Birth Pact)" in 1999.

2000

Cheh It Chap Goh (Every Cloud Has A Sliver Lining) As Scriptwriter and Actor

Still photograph of wayang peranakan “Cheh It Chap Goh (Every Cloud Has A Sliver Lining)" in 2000.

2001

Hujan Balek Ka Langit (The Impossible) As Scriptwriter and Actor

Still photograph of wayang peranakan “Hujan Balek Ka Langit (The Impossible)" in 2001.

2002

Anak Udang Anak Tenggiri (Blood Is Thicker Than Water) As Scriptwriter and Actor

2003

Kipas Cendana (The Sandalwood Fan) As Scriptwriter and Actor

2004

Buang Keroh Pungot Jernih (Let Bygones Be Bygones) As Scriptwriter and Actor

2005

Belom Mati Belom Tau (The Unpredictable) As Scriptwriter and Actor

2008

Performed at the opening of the Peranakan Museum

2009

Bilek Roda Hidop (Bedrooms)

2010

Baba Bling at Musee du Quai Branly in Paris, France* (5 days, 7 Peranakan wedding performances)

2011

Baba Wedding performance in Chengdu, Sichuan China*

2016

Sayang (Love) part of the Singapore Writer’s Festival staged by Berita Harian newspaper

2017

Kain Chik Dua Muka (Two-Faced) As Co-Scriptwriter and Actor

Still photograph of wayang peranakan “Kain Chik Dua Muka (Two-Faced)" in 2017.

2018

Wedding performance and Dondang Sayang presentation, Seoul Korea*

2018

Dondang Sayang performances in Malaysia and Indonesia with other cultural groups

2018

Dondang Sayang performances with Sri Mahligai, a Malay arts and musical group in Singapore

2019

Ayer di-tetak Takleh Putus (Blood is thicker than water)

Still photograph of wayang peranakan “Ayer di-tetak Takleh Putus (Blood is thicker than water)" in 2019.

2023

Tak Sangkah Sangkah Cempedak Menjadi Nangka (Unexpected)

Still photograph of wayang peranakan “Tak Sangkah Sangkah Cempedak Menjadi Nangka (Unexpected)" in 2023.

2018

(Coming in November) Mari Kita Main Wayang

2025

(In development) Anak